Current: Member of The New York City Ballet and Orchestra of St. Luke’s
Appears With: New York City Opera, Singapore Symphony Orchestra and Ensemble LPR
Festivals: Performed in Caramoor Music Festival, Music@Menlo, Cactus Pear Music Festival in San Antonio (TX), Aspen Music Festival, Bach Dancing and Dynamite, Madison (WI), Lisker Music Foundation, Singapore Sun Music Festival, Las Palmas Music Festival
Current: Los Angeles Philharmonic (September 2020)
Previous Positions: Metropolitan Opera House, Opera de Paris
Emmanuel Ceysson is one of the world’s leading harpists. Since 2005 he has been a presence in such leading venues on the international musical scene as the Wigmore Hall, the Salle Gaveau, Carnegie Hall, the Vienna Konzerthaus, and the Berlin Philharmonie, where his appearances in recital, concerto repertoire and chamber music regularly win high praise from the press. His unfailing commitment to his instrument has earned him the highest international distinctions. In rapid succession, he won the Gold Medal and a special performance prize at the USA International Harp Competition (Bloomington) in 2004, First Prize and six special prizes at the New York Young Concert Artist Auditions in 2006, and First Prize at the prestigious ARD Competition in Munich in September 2009, thus becoming the first harpist to obtain awards at thee major international events.
Best known as one of the most accomplished violinists of his generation, David Chan is fast making a name for himself as a conductor too. The 2019-20 season marks his 20th as concertmaster of New York’s MET Orchestra, and his third as the inaugural Music Director of New Jersey’s Montclair Orchestra.
Soloist: MET Orchestra, Los Angeles Philharmonic, San Diego Symphony, Indianapolis Symphony, National Symphony Orchestra of Taiwan, and Moscow State Symphony.
Conductor: Belgium’s l’Orchestre Philharmonique Royal de Liège, the Malta Philharmonic Orchestra, and l’Orchestre Dijon Bourgogne in France; the student orchestras at New York’s Juilliard and Mannes conservatories; at the Pacific Music Festival in Sapporo, Japan; and at Musique et Vin au Clos Vougeot, where the festival orchestra comprises musicians from the Metropolitan Opera, the Berlin Philharmonic, the Vienna Philharmonic, and all of the top orchestras in Paris.
Chan is active as an entrepreneur and creative director. In 2008, combining his interest in wine with his passion for music, he co-founded the Musique et Vin au Clos Vougeotfestival in Burgundy, France. As artistic director of the festival, which pairs wine tastings with music, he has overseen its growth from a small, intimate gathering to a two-week extravaganza.
A native of San Diego, Chan began his musical education at the age of four. After winning prizes at the Tchaikovsky and Indianapolis international violin competitions, he made his New York debut in 1995 at Avery Fisher Hall, and his Carnegie Hall debut in 2003, performing the Brahms Double Concerto with the MET Orchestra. He received his bachelor’s degree from Harvard University and his master’s from the Juilliard School. He is currently on the faculty of both Juilliard and the Mannes School of Music, and lives in the New York City area with his wife, violinist Catherine Ro, and their children Annalise, Micah, and Arianna.
Current: Principal Horn, Dallas Symphony
Ensembles: Solo Horn, Berlin Philharmonic; Guest Principal: London Symphony, Philadelphia Orchestra, Hong Kong Philharmonic, St. Paul Chamber Orchestra, Co-Associate Principal, Fort Worth Symphony
Chamber/Festivals: Director, Avant Chamber Ballet (TX), Tanglewood Festival, and many solo and chamber music appearances in U.S. and abroad
Other:He did a year of service as an Americorps intern in Port Townsend, WA
Current: Principal Bassoon, Los Angeles Philharmonic; Principal Bassoon, PBS All-Star Orchestra
Previous Ensembles: Principal positions, Metropolitan Opera Orchestra, Montreal Symphony Orchestra, Florida Orchestra, South Florida Symphony, Orquesta Sinfónica Nacionál (Dominican Republic)
Chamber/Festivals: Met Chamber Players, Super World Orchestra (Tokyo Music Festival), Affinis Music Festivals (Japan), Instrumenta Oaxaca (Mexico), Santa Fe, Caramoor, Bridgehampton, Cape Cod
Current: Associate Principal Bass, Houston Symphony
Ensembles, appeared as soloist with: Baltimore Symphony Orchestra (2016-2018), New World Symphony (2014-2016)
Performances with: Philadelphia Orchestra, Pittsburgh Symphony, The Florida Orchestra, New York Symphonic Ensemble
Current: Principal Clarinet: CityMusic Cleveland
Ensembles: Second Clarinet, Cleveland Orchestra (1995- 2007)
Festivals/Chamber: Cleveland Orchestra Chamber Series, the Cleveland Museum of Art Chamber Series and the Oberlin Chamber Music series
Other: Associate Professor of Clarinet, University of Michigan, Artist/Clinician for the Backen clarinets and the Vandoren Corporation
Current: Metropolitan Opera Orchestra
Ensembles: Soloist with the Western NY Chamber Orchestra and Greeley Philharmonic Orchestra, Orchestra di San Carlo in Naples, Italy (Assistant Principal viola), World Orchestra for Peace (concerts in Germany, England, Holland, Belgium, Hungary, Russia, China, Israel, Poland, Sweden, Austria, United Arab Emirates)
Current: Acting Principal Flute, Metropolitan Opera; Principal, Nashville Symphony
Ensembles: Performed with the Symphonies of Montreal, Seattle, Pittsburgh
Chamber/Festivals: Tanglewood, Shira Music Festival Israel, the Peninsula Music Festival and Mainly Mozart. He is an active session player in Nashville’s recording scene.
Jake Heggie is the American composer of the operas Dead Man Walking (libretto by Terrence McNally), Moby-Dick (libretto by Gene Scheer), It’s A Wonderful Life (Scheer), If I Were You (Scheer), Great Scott (McNally), Three Decembers (Scheer), For a Look or a Touch (Scheer) and Two Remain (Scheer), among others. In addition to eight full-length operas and several one-acts, Heggie has composed nearly 300 art songs, as well as concerti, chamber music, choral and orchestral works. Heggie’s operas – most created with Terrence McNally or Gene Scheer – have been produced on five continents. Last year, Dead Man Walking received its 70th international production at the Israeli Opera in Tel Aviv, the first American opera to be produced by that company. New York’s Metropolitan Opera has announced Dead Man Walking as part of its 2020/21 season in a bold new production by director Ivo van Hove, conducted by Yannick Nézet-Séguin.
A Guggenheim Fellow, Heggie has also served as a mentor for Washington National Opera’s American Opera Initiative and CU Boulder’s New Opera Workshop. In 2016, he was awarded the Eddie Medora King Prize by the UT Austin Butler School of Music. He was also the recipient of the Champion Award from the San Francisco Gay Men’s Chorus in a private concert that featured a performance by the great Patti LuPone. Heggie was the keynote speaker for the 2016 meeting of the National Association of Schools of Music (NASM) in Dallas and in 2017, gave commencement addresses at the Eastman School of Music and Northwestern’s Bienen School of Music. He is a frequent guest artist and master teacher at universities and conservatories, including Boston University, Bucknell, Cincinnati Conservatory, Cornell, Eastman, CU Boulder, Northwestern, Peabody Conservatory, Roosevelt, The Royal Conservatory in Toronto, San Diego State, UNI, UNT, UT Austin, USC’s Thornton School, Vanderbilt University, and at festivals such as SongFest at the Colburn School and Ravinia.
Jake Heggie lives in San Francisco with his husband, Curt Branom.
Current: Violinist of The Knights (New York-based chamber orchestra, Sony Recording artists)
Ensembles: appears with Yo-Yo Ma’s Silk Road Ensemble, Metropolitan Opera Orchestra, String Orchestra of New York City, Sarasota Opera (Principal)
Chamber/Other: Caravel Trio (Founder), Chamber Orchestra of New York (Principal), Festivals of Ravinia, Caramoor International, Bonn Beethovenfest, Dresden Musikfestspiele, Salzburg and Tanglewood
Current: Principal Trumpet: Metropolitan Opera Orchestra, Assistant Principal Trumpet, Grant Park Symphony Orchestra
Ensembles: Guest Principal: Malaysian Symphony Orchestra, Philadelphia Orchestra, Charleston Symphony Orchestra, New York Philharmonic, Dallas, Frankfurt Radio Symphonies
Chamber Music/Festival:Met Chamber Ensemble, Spoleto Festival (Italy), Stellenbosch International Music Festival (South Africa), Martha’s Vineyard Chamber Music Society, Serafic Fire
Current: Principal Oboe: Metropolitan Opera Orchestra
Ensembles: Principal: Seattle Symphony. Guest Principal: Chicago Symphony Orchestra, Los Angeles Philharmonic, New York Philharmonic, Philadelphia Orchestra, San Francisco Symphony
Faculty: The Juilliard School
Current: Second Assistant Concertmaster: Seattle Symphony Orchestra, Concertmaster: Seattle Chamber Orchestra
Ensembles: Australian World Orchestra, Vancouver Symphony, Bolshoi Theatre Orchestra, Western Australia Symphony, Seattle Opera (Guest Concertmaster), Australian World Orchestra.
Chamber/Other: Recorded concerti with Seattle Symphony, Bratislava Radio Symphony
Current: Assistant Principal Viola, San Francisco Symphony (since 2007)
Ensembles/Festivals: East Coast Chamber Orchestra, Marlboro Music Festival and past tours, a founding member of the award-winning Janaki String Trio and frequent Bay Area chamber music performer.
Speciality: No music is off limits. I love teaching, chamber music, mixed media collaborations, modern, baroque, multicultural music, and can be heard on many film scores including Avatar, Pirates of the Caribbean 3, and Get Smart
Current: Metropolitan Opera Orchestra
Ensembles: Concertmaster: Chamber Orchestra of New York
Appears with: National Arts Center Orchestra (Ottawa, CA) Brighton Philharmonic, Uzbekistan National Symphony Orchestra, Turkey’s BASSO Orchestra
Chamber Music/Festivals: Metropolitan Chamber Ensemble, Tanglewood, Norfolk Chamber Music Festival, Santa Fe, BargeMusic, Music Mountain, Verbier Festival, Perlman Music Program
Current: Metropolitan Opera Orchestra
Other Ensembles: Minnesota Orchestra, Binghamton Philharmonic, Civic Orchestra of Chicago, Sarasota Opera Orchestra, and a performance with the Tokyo String Quartet
Festivals: Verbier, Salzburg Easter Festival
Ensembles: solo appearances; National Symphony Orchestra, Kennedy Center, Alice Tully Hall
Chamber/Festivals: Amer-China International Music Foundation (China), Brevard Music Center, Interlochen Music Festival, Kent Blossom Music, Maui Classical Music, Music-on-the-Hill
Faculty: Associate Professor and Coordinator of the Piano Division at Kent State University. Summer; co-director, Piano Institute at Kent State, artist-faculty at Kent/Blossom Chamber Music (OH) and Brevard Music Center (NC).
Current: Principal Violist: Metropolitan Opera Orchestra
Previous Ensembles: Royal Concertgebouw Orchestra, collaborated with Guarneri, Mendelssohn, St. Petersburg and Brentano String Quartets
Chamber Festivals: Munich Chamber Orchestra, Aspen Sinfonia, Belgrade Philharmonic, Marlboro Music Festival, Grand Teton Music Festival, Cascade Head, Verbier Festival Orchestra
American tenor Matthew Polenzani is one of the most gifted and distinguished lyric tenors of his generation. His elegant musicianship, innate sense of style, dramatic commitment, and timeless artistry have established his continued presence at leading operatic, concert, and recital venues worldwide.
Appearances: 2019/2020 season, Mr. Polenzani returns to the Metropolitan Opera to star in three productions: Macbeth (Macduff), La Bohème (Rodolfo), and Der Rosenkavalier (The Italian Singer). Met’s New Years Eve Gala opposite Anna Netrebko. The Bayerische Staatsoper to sing Don José in Bizet’s Carmen. Following this engagement, Polenzani appears in two Beethoven works at the Festspielhaus Baden-Baden. He is the tenor soloist in Missa Solemnis and will make his role debut as Florestan in Fidelio. Matthew sings the Duke of Mantua from Verdi’s Rigoletto at the Greek National Opera, and he makes his highly anticipated house debut at the Teatro Real de Madrid in Willy Decker’s intriguing production of Verdi’s La Traviata as Alfredo.
Matthew Polenzani was the recipient of the 2004 Richard Tucker Award, The Metropolitan Opera’s 2008 Beverly Sills Artist Award, and a 2017 Opera News Award. An avid golfer, he makes his home in suburban New York with his wife, mezzo-soprano Rosa Maria Pascarella, and their three sons.
Current: Acting Assistant Principal Metropolitan Opera Orchestra violinist (since 2000), The Richard and Elizabeth Gilbert Chair
Ensembles/Festivals: Soloist with the Los Angeles Philharmonic under Esa-Pekka Salonen. MET Chamber Ensemble, 2nd violinist of Quartet 212, founding member of Musique et Vin au Clos Vougeot
Other: Certified Bar Method instructor
Current: Dallas Symphony
Previous Ensembles: Voices of Change, contemporary music ensemble (TX), Oregon Symphony, Seattle Symphony (solo appearances)
Festivals/Chamber: performed in venues such as New York’s Alice Tully Hall, Weill Hall, Merkin Hall, Museum of Modern Art, Bowdoin International Music Festival, Idyllwild Arts, Walden Piano Quartet
Frederica von Stade
Described by the New York Times as one of America’s finest artists and singers, Frederica von Stade continues to be extolled as one of the music world’s most beloved figures. Known to family, friends, and fans by her nickname Flicka, the mezzo-soprano has enriched the world of classical music for three decades.
Appearances: Miss von Stade’s career has taken her to the stages of the world’s great opera houses and concert halls. She began at the top, when she received a contract from Sir Rudolf Bing during the Metropolitan Opera auditions, and since her debut in 1970 she has sung nearly all of her great roles with that company. In January 2000, the company celebrated the 30th anniversary of her debut with a new production of The Merry Widowspecifically for her, and in 1995, as a celebration of her 25th anniversary, the Metropolitan Opera created for her a new production of Pelléas et Mélisande. In addition, Miss von Stade has appeared with every leading American opera company. Her career in Europe has been no less spectacular, with new productions mounted for her at Teatro alla Scala, Royal Opera Covent Garden, the Vienna State Opera, and the Paris Opera.
Unparalleled in her artistry as a recitalist, Miss von Stade combines her expressive vocalism and exceptional musicianship with a rare gift for communication, enriching audiences throughout the world. She has made over seventy recordings with every major label, including complete operas, aria albums, symphonic works, solo recital programs, and popular crossover albums. Her recordings have garnered six Grammy nominations, two Grand Prix du Disc awards, the Deutsche Schallplattenpreis, Italy’s Premio della Critica Discografica, and Best of the Year citations by Stereo Review and Opera News. Miss von Stade appears regularly on television, through numerous PBS and other broadcasts.
Frederica von Stade is the holder of honorary doctorates from Yale University, Boston University, the San Francisco Conservatory of Music (which holds a Frederica von Stade Distinguished Chair in Voice), the Georgetown University School of Medicine, and her alma mater, the Mannes School of Music. In 1998 Miss von Stade was awarded France’s highest honor in the Arts when she was appointed as an officer of L’Ordre des Arts et des Lettres, and in 1983 she was honored with an award given at The White House by President Reagan in recognition of her significant contribution to the arts.
Current: American Chamber Players, pianist; Bulgarian Concert Evenings in New York, co-chair
Ensembles: New World Symphony, Bulgarian National Radio Symphony, Orchestra del’Angellicum
Chamber/Festivals:Marlboro Music Festival, Classical Tahoe, Walla Walla Chamber Music Festival, Music Academy of the West, Pianofest, Kneisel Hall, Bowdoin Music Festival, Banff Center for the Arts
Current: Artist-in-Residence: University of Washington in Seattle, Co-Artistic Director and cellist of Decoda
As Soloist: Los Angeles Philharmonic, Toronto Symphony, NDR Elbphilharmonie Orkester, Iceland Symphony
Chamber/Other: Performances at Marlboro and Prussia Cove, Barbican Center in London, Suntory Hall in Tokyo among others
Swiss-born American Gilles Vonsattel is an artist of extraordinary versatility and originality.
Awards & Appearances: Recipient of an Avery Fisher Career Grant and winner of the Naumburg and Geneva competitions as well as the 2016 Andrew Wolf Chamber Music Award, he has in recent years made his Boston Symphony, Tanglewood, Chicago Symphony Orchestra, Munich Philharmonic, Gothenburg Symphony, and San Francisco Symphony debuts, while performing recitals and chamber music at Ravinia, Tokyo’s Musashino Hall, Wigmore Hall, Bravo! Vail, Music@Menlo, the Gilmore festival, the Lucerne festival, and the Munich Gasteig. Appearances with San Francisco Symphony, Warsaw Philharmonic, Calgary Philharmonic, Edmonton Symphony, l’Orchestre Symphonique du Québec, Boston Pops, Nashville Symphony, Musikkollegium Winterthur, Staatskapelle Halle, and L’orchestre de chambre de Genève
Mr. Vonsattel received his bachelor’s degree in political science and economics from Columbia University and his master’s degree from The Juilliard School, where he studied with Jerome Lowenthal. He is on the faculty of the University of Massachusetts at Amherst, and makes his home in New York City. Gilles Vonsattel is a Steinway Artist.
Current: Metropolitan Opera Orchestra
Ensembles: Detroit Symphony, Colorado Symphony, Talea Ensemble (NY) Verklarte Quartet, iO String Quartet, League of Composers Orchestra
Chamber Music/Festivals: Bronxville Chamber Music Series, New Marlborough House Concerts
Current: Metropolitan Opera Orchestra
Solo Performances with: China Philharmonic, London Mozart Players, Royal Philharmonic, Shanghai Symphony, Sydney Opera Orchestra
Appearances at: Aspen, Kennedy Center, Lincoln Center, Ravinia
Mariko Hiraga Wyrick
Current: American Ballet Orchestra (since 2014), performs actively in greater New York area
Chamber: Winner of the American Fine Arts Festival competition, performances in Weill Hall, NYC
Festivals: Kneisel Hall, the Fontainebleu Academie, and the Greenwood Festival
Current: Associate Principal Cellist: San Francisco Symphony
Previous Ensembles: San Francisco Symphony (assistant principal cellist), Mostly Mozart Festival Orchestra (principal cellist), New York City Opera Orchestra (associate principal cellist)
Chamber Music/Festivals: Ridge String Quartet, Helsinki Festival (Finland), the Spoleto Festival (US, IT), Santa Fe Chamber Music Festival, San Francisco Symphony Chamber Music Series